Well its all over- what a relief!
Despite many flaws ‘The Invisible Pianist” seemed to be effective. The UV lights didn’t light up the keys as much as I had anticipated so it felt as though I was plunging y hand into a dark space in the bass and the higher notes of the treble at times. Despite this and the numerous inaccuracies that it caused I felt that the performance went well (regardless of how it worked conceptually)
Sarah Curtis Artist 