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This picture of the monarch butterfly represents three levels of ‘being’- body, mind and spirit. Viewing in daylight represents the material world and body- what you see is what you get. Viewed under ultraviolet light, this is the mind- the aqua is what is right (according to God), and the red/orange are the things that look good but are deceptively bad.


Holding Together

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Viewed under ultraviolet light, aqua circles resemble atoms and particles- the basic building blocks of life.  This is an analogy of God being everywhere, evident in all creation and holding everything together by His power.  The red/orange represents the sin-filled fallen world that ‘masks’ the evidence of God in creation. However, portions are still evident, as nothing can completely hide God’s glory. Viewed in the dark (glow in the dark) the faint, the partially obscured aqua (evidence of God) is now visible. This is like ‘seeing’ indirect evidence of God in circumstances and in creation.

“For in him all things were created: things in heaven and on earth, visible and invisible, whether thrones or powers or rulers or authorities; all things have been created through him and for him. 17 He is before all things, and in him all things hold together.” (Colossians 1:16-17, NIV)

The Vine

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The straight line in the picture represents Jesus (the vine) and the lines intersecting it believers (the branches). It draws on the principle of bearing good spiritual fruit (works) and that this cannot be achieved through one’s own strength but only through the empowerment of Jesus.

“I am the vine; you are the branches. If you remain in me and I in you, you will bear much fruit; apart from me you can do nothing.” (John 15:5, NIV)

Flight of the Monarch- Artist Statement


This exhibition encompasses the theme of development and growth achieved by means of a journey. Comprised of both early and current works, the lifespan narrative of the Monarch butterfly is shown as it progresses from caterpillar and chrysalis (2012), to emerging as butterfly and the migration journey it spans over four generations (2016). In addition to the literal narrative, a story of Christian spirituality is also embedded within the work.

 Metamorphosis- from caterpillar to chrysalis (2012)

The series begins with a black and white colour scheme, as that is all Monarch caterpillar is able to see. The selective colouring (pink) has been used to show how the chrysalis acts as the catalyst bringing transformation from caterpillar to butterfly in the life of the Monarch. Only after emerging from the chrysalis is the Monarch able to see in colour, and better yet- in the ultraviolet spectrum.

On a spiritual note, the black and white represents the natural/physical way of viewing the world, whereas the progression to full colour highlights the increase in depth and visual insight   by the butterfly. This can be likened to an increase in ‘vision’ and direction in life and direction someone can find through faith in Christ. The pink chrysalis is also symbolic of God’s perfect, flawless love, and how this can be a catalyst for bringing about inner change and transformation in an individual’s life.

The Great Migration (2016)

The second half of the work shows the journey of the monarch as well as the diversity of landscapes encountered along the journey. The compositions for the landscapes were created using google maps by ‘zooming in’ and taking screenshots of various locations where a monarch might travel on its journey. The created perspective is like that of the butterfly viewing the landscape from a bird’s eye perspective. In addition, the paintings are laid flat on the floor where they are viewed from above, thus increasing the viewer’s sensation of viewing the landscapes in a way that resembles aerial photography.

To further the notion of different viewpoints and spirituality, the butterfly/landscape works can be viewed under three different light settings- daylight, ultraviolet light, and in the dark (glow in the dark). Viewed in daylight, this is like seeing the world from a completely physical perspective, where ‘seeing is believing’. In contrast, viewing the work under ultraviolet light is like the inner thoughts and depth of the mind. Illuminated is the conflict and contrast between the aqua colour (representing spirit/God’s will) and the red/orange tones (sinful nature/destruction/deception). This is like the tug-of-war inside the human mind between what is right and what is wrong.  Then, the third and final means of viewing is in the pitch blackness where only the aqua colour remains. This represents the spiritual aspect of mankind and the ever-present spirit of God that works in and around those who have faith in Him. It also seeks to reveal the hidden nature of God and show that not everything is as it first seems- that there is more to life than meets the eye.

Fragment to Freedom

F7_Fragment to freedom

The cracked red heart represents a state brokenness and vulnerability of the human heart. The painting shows a types of mathematical ‘equation’ of illustrating how brokenness can be healed and made whole in Jesus. The bible states that His death on the cross paid the price to take away the sins and pain of the world to those who ask (Isaiah 53:5). “Cast all your anxiety on him because he cares for you.” (1 Peter 5:7). Free of anxieties, this is the freedom found in trusting God.

Forgiveness to Freedom


The heart on its side represents the human heart when it takes offence and is unforgiving toward another person. The effect is terrible- the bitterness almost destroys the individual from the inside out (hence by the heart was placed on it’s side) The middle part of the equation shows that when the individual asks God to help forgive that person, love then pours in, and replaces the bitterness. This love and results in the freedom (the butterfly)at the end of the equation.

Painting Installaiton

Hi There! This is the finished installation work I made in a small project space at uni which was an assignment involving spacial awareness and how the audience reacts to artwork within a specific a room. It was quite difficult to photograph so I took multiple shots and photoshoped them together!.  I based the theme of the work around the question “Why have faith in God?” This installation shows is a visual way, the spiritual journey people with faith experience  that cannot physically be seen. Despite all having different life experiences (arrows)  they all come to the same place- the uv light which represents God.